Taylor gets honored with a three-CD box set for this career retrospective. And it truly is a career retrospective: it spans 1956-1999 and includes a good deal of material that he did for other labels before and after his lengthy Stax stint. It's true that you have to be a pretty deep Taylor fan to commit to nearly four hours of his music. It's also true that even if you are a big Taylor fan, you're likely to need some patience to last through some of the average cuts, or his stylistic transition from gospel to soul to disco and retro-soul. Overall, however, it's a fine commemoration of an important if not quite great soul star. The most valuable components of the set are found on disc one, which kicks off with a half-dozen gospel tunes from his stints with the Highway Q.C.'s and the Soul Stirrers in the late '50s, moving into some of his soul sides for Sam Cooke's SAR label in the early '60s. For the remainder of disc one and some of disc two, there are plenty of fine soul-blues cuts from his early days at Stax in the mid-to-late '60s that will be familiar to relatively few listeners, his fine soul-blues-gospel vocal blend resulting in some of his finest work. As time wore on -- even starting in the early '70s -- Taylor's material got duller and more homogenized, though there were always some highlights to perk up your ears. Unsurprisingly, then, like most box sets, this gets less interesting the closer it draws to the finish line, although wisely his late-'70s Columbia era (yes, "Disco Lady" is here) and post-'70s Malaco output is represented by a mere four cuts each. Ultimately, it's a well-done summation of Taylor's legacy, with an accompanying 50-page booklet including essay, discography, and photos.