has been one of the most significant jazzmen since the '60s. Not content at any time to rest on his laurels, he has been involved in quite a few important musical projects, and his musical curiosity has never dimmed. A masterful pianist who, along with
is also one of the few electric keyboardists to be quite individual and recognizable on synthesizers. In addition, he has composed several jazz standards, including "Spain," "La Fiesta," and "Windows."
Corea began playing piano when he was four and, early on,
Horace Silver and
Bud Powell were influences. He picked up important experience playing with the bands of
Mongo Santamaria and
Willie Bobo (1962-1963),
Blue Mitchell (1964-1966),
Herbie Mann, and
Stan Getz. He made his recording debut as a leader with 1966's
Tones for Joan's Bones, and his 1968 trio release (with
Miroslav Vitous and
Roy Haynes)
Now He Sings, Now He Sobs is considered a classic. After a short stint with
Sarah Vaughan,
Corea joined
Miles Davis as
Herbie Hancock's gradual replacement, staying with
Davis during a very important transitional period (1968-1970). He was persuaded by the trumpeter to start playing electric piano, and was on such significant albums as
Filles de Kilimanjaro,
In a Silent Way,
Bitches Brew, and
Miles Davis at the Fillmore. When he left
Davis,
Corea at first chose to play avant-garde acoustic jazz in
Circle, a quartet with
Anthony Braxton,
Dave Holland, and
Barry Altschul. But at the end of 1971, he changed directions again.
Leaving
Circle,
Corea played briefly with
Stan Getz and then formed
Return to Forever, which started out as a melodic Brazilian group with
Stanley Clarke,
Joe Farrell,
Airto, and
Flora Purim. Within a year,
Corea (with
Clarke,
Bill Connors, and
Lenny White) had changed
Return to Forever into a pace-setting and high-powered fusion band;
Al DiMeola took
Connors' place in 1974. While the music was rock-oriented, it still retained the improvisations of jazz, and
Corea remained quite recognizable, even under the barrage of electronics. When
RTF broke up in the late '70s,
Corea retained the name for some big-band dates with
Clarke. During the next few years, he generally emphasized his acoustic playing and appeared in a wide variety of contexts; including separate duet tours with
Gary Burton and
Herbie Hancock, a quartet with
Michael Brecker, trios with
Miroslav Vitous and
Roy Haynes, tributes to
Thelonious Monk, and even some classical music.
In 1985,
Chick Corea formed a new fusion group,
the Elektric Band, which eventually featured bassist
John Patitucci, guitarist
Frank Gambale, saxophonist
Eric Marienthal, and drummer
Dave Weckl. To balance out his music, he formed his
Akoustic Trio with
Patitucci and
Weckl a few years later. When
Patitucci went out on his own in the early '90s, the personnel changed, but
Corea continued leading stimulating groups (including a quartet with
Patitucci and
Bob Berg). During 1996-1997,
Corea toured with an all-star quintet (including
Kenny Garrett and
Wallace Roney) that played modern versions of
Bud Powell and
Thelonious Monk compositions. He remains an important force in modern jazz, and every phase of his development has been well-documented on records.
Corea began the 21st century by releasing a pair of solo piano records,
Solo Piano: Originals and
Solo Piano: Standards, in 2000, followed by
Past, Present & Futures in 2001.
Rendezvous in New York appeared in 2003, followed by
To the Stars in 2004.
The Ultimate Adventure was released in 2006. That same year,
Corea released Super Trio with drummer Steve Gadd and bassist Christian McBride. In the spring of 2007,
Corea released an unlikely but ultimately satisfying duet album with banjo master Béla Fleck entitled The Enchantment on Concord, followed by a Universal Japan-only six-disc box set called Five Trios in 2008 that showcased the pianist in a handful of different trio settings. The same year,
Corea and vibraphonist
Gary Burton released their fourth offering together, entitled The New Crystal Silence.
The year 2008 was a busy one for
Corea. He and John McLaughlin got together for the first time since they both played on
Miles Davis' seminal
Bitches Brew album. They pulled together a band with saxophonist
Kenny Garrett, drummer Vinnie Colaiuta, and bassist Christian McBride for the recording Five Peace Band: Live (with another former Miles collaborator,
Herbie Hancock, guesting on "In a Silent Way/It's About That Time"). Concord re-released
Return to Forever's four albums issued between 1973 and 1976 (with
Corea, White,
Clarke, and DiMeola) -- Hymn of the Seventh Galaxy, Where Have I Known You Before, No Mystery, and Romantic Warrior -- as a precursor for a reunion tour. This resulted in both a live album entitled Returns, and a concert DVD. In 2009,
Corea teamed with Japanese piano sensation Hiromi for Duet, followed by a live trio album entitled Forever with
Clarke and White, culled from their "RTF Unplugged" tour. The two-disc set, issued by Concord in 2011, featured guest appearances by Chaka Khan, original
RTF guitarist
Connors, and violinist Jean-Luc Ponty. In 2012,
Corea was busy from the start. He delivered a trio recording on Concord in January entitled Further Explorations; his sidemen were Eddie Gomez and Paul Motian (both members of various Evans' ensembles). Corea: The Continents Concerto for Jazz Quintet and Chamber Orchestra was issued by Deutsche Grammophone in February. In September, another duet recording with Burton, Hot House, was released by Concord.
–
Scott Yanow & Thom Jurek, Rovi